Posts Tagged ‘Zulu’

Spotlight On: African Artisan Collectives

Friday, July 16th, 2010

All the rich cultures, colors and textures of the African continent are expressed so beautifully in the artworks made by tribal artisans. Elegant Roots is proud to work with fair-trade collectives across Africa to help bring some of their stunning creations to North America. How lucky we are to support these talented people and keep them at work, doing what they love.

CREATIVE WOMEN — Founded by one-woman dynamo Ellen Dorsch, Creative Women brings us the exquisite textile craftsmanship of Ethiopia and Swaziland. A company that provides work training and excellent pay to talented women, Creative Women is known for its luxurious mohair and vibrant silk items through its luxury Sabahar line. By pairing fashion-forward Western designs with traditional African craftsmanship, Creative Women merges cultures beautifully.

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DWELLING — Connecticut product development consultant Gloria Delaney was traveling in Kenya where she discovered artisans creating remarkable handcrafted items, such as gorgeous bowls carved from a single piece of sustainably harvested olivewood. She also tapped into a women’s knitting collective to bring huggable handmade plush toys to children in the U.S. Gloria has gone far beyond just providing economic opportunities to artists — she and Dwelling strongly support literacy, health and other programs for the well-being of the workers and their families.Dwelling_3wDwelling_2w


TRIBAL HOME — This U.S.-based company brings us the work of amazing Zulu Master Weavers from South Africa. Tribal Home’s three founding partners discovered these women in the remote KwaZulu-Natal Province, skilled in the traditional art of weaving watertight Zulu baskets but unable to make a living from it. Tribal Home introduced the baskets to the Western market — where they’ve been selling so successfully that the weavers can now support their families and keep these traditional Zulu crafts alive.

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World Environment Day

Friday, June 4th, 2010

World Environment Day (WED) is June 5. It began on that day in 1972 when the UN Conference on the Human Environment began. The First WED was celebrated on June 5, 1973. The day calls attention to the environment and is intended to stimulate political and public action. Each year WED is hosted by a different city/country, commemorating a different theme.

For 2010, the host is Rwanda and the theme is “Many Species. One Planet. One Future”, celebrating the thrilling diversity of life on Earth as part of the 2010 International Year of Biodiversity.

Around the globe people will hold all sorts of activities to recognize the day — while people of the US Gulf Coast regions fight the massive petroleum spew from BP’s mile-deep sea-bed well; while animals are tarred with the inescapable goo-tide; and wetlands are turned to sludge.

On this day, we can celebrate a traditional human interaction with the natural world that creates a thing of beauty and function — without any petroleum, no plastic, no chemical processing. AfricanBasket2_A_TN

The Zulu are one of only two peoples on the earth who create water-tight baskets. (The other are natives of Central America.) Zulu weavers use only grasses native to their KwaZulu-Natal homeland and local ilala palm, dyed using only natural, locally-derived vegetable dyes.

This weaving is traditional with the Zulu people, though was once a male-oriented skill. Different shaped baskets are designed for local beer, others for seeds, grains, greens, all purposes imaginable. But then the men were taken to work the mines and imported tin vessels replaced the baskets — the art nearly died out. In the early 70s, a missionary organized weaving classes after Sunday services and enlisted four female master weavers to teach at what became known as the Vukani workshops (named for the missionary). AfricanBasket1_A 385x305

Traditional skills were passed along; new designs and colors were created; an art form was saved that sustainably uses a few of the great diversity of earth’s species. Over the decades since, many weavers have reached Master-level status, had their work displayed in museums around the world and create astounding works of beauty.

Of the original four teachers at the Vukani workshops, one remains — and she still weaves. That living treasure of Zulu basketry is Laurentia Dlamini. AfricanBasket3_A 385x274

On World Environment Day, let’s celebrate the diversity of species on our earth — and the diversity of people and their creations without petroleum.

Ecological Intelligence, Part 2

Tuesday, June 30th, 2009

I find myself wanting to quibble with Goleman. Maybe it’s because I’ve cast myself as a “book reviewer” and I’m under some obligatory contentiousness. Or maybe I’m just argumentative by nature — but when Goleman introduces the subject of Life Cycle Assessment (more on LCA later) by the ancient chariot story and concludes that the chariot is merely an illusion, I’m in full quibble mode.

The Visudhimagga, a 5th century Indian text, we are told, poses a riddle: “precisely where is what we call a ‘chariot’ located? Is it in the axles, wheels, the frame?” The answer is “nowhere” since what we mean by “chariot” is a mere temporary arrangement of its components: “It’s an illusion.” Until it runs over you; then your pain says “that was no illusion.”

I prefer the representation of synergy presented by George Leonard in Mastery. Leonard uses the example of the radio, another amalgam of parts, to suggest that the schematics of the radio are every bit are “real” as the functioning radio (and better in the sense that schematics are easier to modify and more effective at transmitting the details of the notion). And, if the schematics are as real as the radio, then the idea of the radio is also as real.  For LCA, there is power in Leonard’s presentation.

Every product we purchase is comprised of many components, each with its own set of industrial processes for extraction, synthesis, packaging, shipping, combining, and disposal. Each process for each component has a measurable environmental impact.  For the glass jar for pasta sauce, for example, there are 1,959 distinct component processes. For the Zulu baskets offered by Elegant Roots, for example, there are far fewer; there is the native grasses harvested by hand, the ilala palm leaves harvested by hand, the fruit and vegetable dyes harvested locally, yes, by hand, and there is the hand weaving — all accomplished in the weaver’s locale. Of course, the one-of-a-kind museum quality basket by Laurentia Dlamini exists in another category from mass produced glass pasta sauce jars. The same is true for the hand-brushed yak down, hand-knitted into a soothingly soft, undyed baby hoodie by Shokay.

For industrial products, though, the LCA can show us the true effects of what we buy and use. Even recycling warrants scrutiny, simply so we see the effects of how we’re doing things. If LCA information were available to all of us, we’d see that “green” and “eco-friendly” are charged terms. “Greenwashing” is the labeling a product “green” by focusing on only a single, or very few, of the hundreds or thousands of a product’s component processes.

The danger of Greenwashing, Goleman suggests, is that we are lulled into thinking we’ve done all we need to do if we buy an organic cotton t-shirt. That’s paternalistic. And it makes the good the enemy of the perfect. Just give us the information, we can deal with it.   This fear is, “don’t feel good about what you’re doing because it can never be enough.”  But every little thing we do when multiplied by a billion makes a difference. And feeling good about doing one thing, under the principles of positive reinforcement, should encourage us to do more good things — feeling good is a strong positive reinforcer, so we will repeat the behavior. So, hey, feel good all the time.

Want to feel even better, buy organic cotton shirts for baby that are not bleached or dyed. EvokeBaby’s Grow with Me Set

Buy Less But Buy Better. That’s the motto at ElegRoo.

I’m finished quibbling with Goleman. Let’s end on a note of complete agreement: “Green” is best used as a verb. “Green is a process not a status.” We’ve got to be thinking about “greening” every step in a product’s value chain.

Later.ecointelcover3